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FILE BRASÍLIA 2017
2017
Perissinotto,Paula & Barreto,Ricardo, ed. FILE BRASÍLIA 2017. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2017.
FILE SOLO 2017
2017
Perissinotto,Paula & Barreto,Ricardo, ed. FILE SOLO 2017. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2017.
FILE PAI 2017
2017
Perissinotto,Paula & Barreto,Ricardo, ed. FILE PAI 2017. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2017.
FILE Vitória 2017: toque aqui
2017
Perissinotto,Paula & Barreto,Ricardo, ed. FILE Vitória 2017: toque aqui. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2017.
Investigations on the Cultural Economy of Media Art
2017
Chierico, Alessio, ed. Investigations on the Cultural Economy of Media Art. Milan: Digicult Editions, 2017.
Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness
2017
Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.
The Transcendent Double Selfie App
2017
Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.
An image no for the eyes made with words not for the ear
2017
Sanchez Cardona, LM. An image no for the eyes made with words not for the ear In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel MartínezMexico: University Museum of Contemporary Art MUAC, 2017.
Museum and Archive on the Move.Changing Cultural Institutions in the Digital Era.
2017
Grau, Oliver and Wendy Coones and Viola Rühse, ed. Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era.. Berlin: De Gruyter, 2017.
Three Questions: A Holy Trinity or Three Blind Mice
2017
Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.
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1471