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  • Substance -
    We live today in an age of simulation as coined by French sociologist Jean Baudrillard. According to him, simulation is defined as the coinciding of appearance with reality. Thus, the boundaries between fiction and reality are blurred and
  • Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
  • Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.
  • Basting, Barbara. Alice im Pixelpark http://www.xcult.org/texte/basting/ae.html.
  • Cylinder & Bots -
    Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The solo exhibition
  • Stafford, Barbara Maria. Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, London: The MIT Press, 1991.
  • Stafford, Barbara Maria. Kunstvolle Wissenschaft: Aufklärung, Unterhaltung und Niedergang der visuellen Bildung. Hamburg, DE: Philo Fine Arts Stiftung, 1998.
  • BIOS -
    Roehrs & Boetsch is pleased to present Banz & Bowinkel’s first solo exhibition ‘BIOS’ at the gallery. ‘BIOS’ stands for Basic Input/Output System, which is the first program a computer’s microprocessor uses to get the computer system started after
  • Resonanz der Realitäten - Resonant Realities, Exhibition of the VR ART PRIZE by DKB in Cooperation with CAA Berlin, with Banz & Bowinkel, Evelyn Bencicova, Armin Keplinger, Lauren Moffatt and Patricia Detmering, Haus am Lützowplatz, Berlin, April
  • Exhibiting artists: Banz & Bowinkel, Tim Berresheim, darktaxa-project, Heather Dewey-Hagborg, Philipp Goldbach, Beate Gütschow, Spiros Hadjidjanos, Fabian Hesse & Mitra Wakil, Baron Lanteigne, Oliver Laric, Simon Lehner, Achim Mohné, Susan Morris,