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  • Defining Lines -
    Event: Defining LinesInstitution: Manifesta 4 - Frankfurter KunstvereinComment:
  • process 18 -
    c.e.b. reas process 18, 2008 Text, unique custom software, documentation prints and CDs, computer, projector, wood panels; unique milled fiber composite; pair of unique C-Prints Courtesy: bitforms gallery, Nueva York The Process works
  • Yiannis Melanitis is a conceptual interdisciplinary artist working in the realms of body, performance, digital media and bioart. He study Painting, Sculpture and holds a Masters degree in Digital Arts from Athens School of Fine Arts. He is lecturer
  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
  • SP3X -
    SP3X is a new type of three-dimensional interface for creating, modifying, and navigating volumetric data. It combines the intuitive and improvisational strengths of tangible interfaces with the visualization power of mixed reality. Users can create
  • Dejan Grba's research in new media art combines mutually inspired artistic and theoretical work. In art projects, he explores the creative, technical and relational aspects of generative systems by defining new ways to interrelate the material and
  • despain, Cara. All American: Defining Ourselves in a Time of Change Artpulse Magazine (July 2009).
  • "All American: Defining Ourselves in a Time of Change" features 13 contemporary artists, both national and regional artists. All ask that same question.
  • Behave -
    This work examines the ways we communicate through our behavior. Commissioned by Rebo High Definition Studios, New York, it is the first example of computer animation recorded to the HDTV (High Definition Television) format. Animation was
  • McGarrigle, Conor. Augmented Interventions: Re-defining Urban Interventions with AR and Open Data In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 115-130. Cham: Springer, 2018.