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The Dump, Defense of the Dump (video), 4 pigment prints from The Dump Recycling of thoughts
2016
Event: The Dump, Defense of the Dump (video), 4 pigment prints from The Dump Recycling of thoughtsInstitution: Charbon Art SpaceComment:
A journey into the sense of smell…
2017
Event: A journey into the sense of smell…Institution: Marmite fun literary salon #2, Charbon Art SpaceComment:
The Unpredictable Future of Dumped Art Project and his online work – The Dump – that became eventually a doctorate thesis
2016
Event: The Unpredictable Future of Dumped Art Project and his online work – The Dump – that became eventually a doctorate thesisInstitution: Translatio Exhibition, CHARBON Art SpaceComment:
Open Art : le numérique… et après ?
2010
Event: Open Art : le numérique… et après ?Institution: Création artistique et révolution numérique, Observatoire des politiques culturelles, Conseil régional, Charbonnières les BainsComment:
Five Themes
2009
Combining the political with the poetic, William Kentridge's work has made an indelible mark on the contemporary art scene. Dealing with subjects as sobering as apartheid and colonialism, Kentridge often imbues his art with dreamy, lyrical
Dennis del Favero: Deep Sleep
2004
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2005
Deep Sleep moves backwards and forwards in time between a notorious Sydney psychiatric institution of the 1970's where patients were subjected to "deep sleep" therapy, and the Chelmsford Royal Commission, established in the 1990's to
Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media.
2002
Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some
Felix in Exile
1994
Kentrigde uses charcoal and pastels for his drawings in which he erases and redraws parts to create stop motion style animations.
Casual Workers, Hallucinations and Approriate Ghosts
1994
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1994
a video installation, was commissioned for the lobby of a movie theater in Time Square by Creative Time, Inc. and the 42nd St. Development Corp. for The 42nd Street Art Project. The piece tracks a metamorphosis from a choreography based on the
Rara Avis
1996
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1996
The work Rara Avis (1996) of Eduardo Kac consists of a large cage, in which thirty real birds (zebra finches) and a telerobot, which looks like a rare bird, take place. In the macaws eyes are installed two cameras with Charge-Coupled Devices
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