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  • L´art soumis à la Question par la technologie. Interview par Charles de Meaux
    Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles de Meaux Cultures en Mouvement , no. 15 (March 1999).
  • A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful
    Eliot, Charles William, ed. A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful. The Harvard Classics, Vol. 24, Part 2, New York: Collier and Son Comp., 1909.
  • Artificial Life. An Overview
    Langton, Christopher G., ed. Artificial Life. An Overview. Cambridge, MA: MIT Press, 1995.
  • Die zwei Kulturen
    Snow, Charles Percy. Die zwei Kulturen. Stuttgart, DE: Ernst Klett Verlag GmbH, 1967.
  • Media Forum 2006 -
    During preparation to this year MEDIA FORUM Alexey Isaev (1960-2006), our ideological leader and theoretician, died. This tragedy brought us to two immanent conclusions: • dedicate MEDIA FORUM 2006 to Alexey Isaev memory; • select as a theme for the
  • Ten Thounsand Cents
    "Ten Thousand Cents" is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge of the overall
  • Robo Sapiens: Evolution of a New Species
    Mann, Charles C., ed. Robo Sapiens: Evolution of a New Species. Cambridge, MA: MIT Press, 2000.
  • Soviet Cybernetics and International Development
    Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.
  • William Kentridge -
    Die bereits vor zwei Jahren konzipierte Ausstellung von William Kentridge hätte im Vorjahr in der Neuen Galerie Graz gezeigt werden sollen, was jedoch aufgrund des verzögerten Umbaus der Neuen Galerie nicht möglich war. William Kentridge war
  • Curtis Bahn
    Curtis is a composer, improvisor and string-bass player who specializes in live electronic performance using gestural controllers. He received his Ph.D. in music composition from Princeton University where his primary teachers were Paul Lansky,
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