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  • Nancy Evelyn Paterson
    Nancy Paterson is a media artist working in the field of interactive installations. She received a Ph.D in Communications & Culture from York University and is Professor at OCAD University. She work with the notion of cyberfeminism and show her work
  • Joseph Nechvatal
    Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Sonya Rapoport
    Sonya Rapoport was born in 1923 and is an American conceptual/digital artist and New media artist who has created computer-assisted interactive installations and participatory web-based artworks.
  • Ellen Sandor
    Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the
  • Carl Michael von Hausswolff
    Lives in Stockholm Video, Performances, Electronic Music, Installations and audiovisuelle Rooms
  • Intersecting the Virtual and the Real: Space in Interactive Media Installations
    Legrady, George. Intersecting the Virtual and the Real: Space in Interactive Media Installations Wide Angle (Digital and the Memory of Cinema) 21, no. 1 (2001): 104-113.
  • The Application Of Artificial Life to Interactive Computer Installations
    Sommerer, Christa and Laurent Mignonneau. The Application Of Artificial Life to Interactive Computer Installations Artificial Life and Robotics Journal 2, no. 4 (1998): 151-156.
  • We Need Us -
    What is the meaning of data beyond its value-laden content? We Need Us draws metadata from the activities of citizen science site Zooniverse’s million+ participants to create an ever-growing environment of sounds and animated forms. Unlike
  • The Unframed World -
    In Virtual Reality the viewer overcomes the limited surface of a computer screen. Instead of looking through a window, the viewer exits real surroundings to become part of another world. The Unframed World is the first comprehensive presentation of
  • A Touch of Code. Interactive Installations and Experiences
    Klanten, Robert and S. Ehmann and V. Hanschke, ed. A Touch of Code. Interactive Installations and Experiences. Berlin: Gestalten, 2011.
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