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Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre
2017
Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
Critical Techniques: Theater Exercises for the Classroom
2017
Albuquerque, Beatriz. Critical Techniques: Theater Exercises for the Classroom In Art School Critique 2.0, edited by Richard JochumNew York: Teachers College, Columbia University, 2017.
Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología
2017
Andres Burbano and Alejandro Duque. Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología. Caldas, Colombia: Universidad de Caldas, 2017.
The interactive image: a media archaeology approach
2017
Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
Art and Agency in Times of Wetware
2017
Hauser, Jens. Art and Agency in Times of Wetware In Les paradoxes du vivant = The paradoxes of the living: |Les paradoxes du vivant = The paradoxes of the livingThe Paradoxes of the Living, edited by CollectifVol.04. Stream, , 263-269. Paris: PCA...
Leuchtgehirne, Bakteriengoldgräber und DNA-Photoshopping: Kunst mit Biomedien und jenseits der Artengrenzen
2017
Hauser, Jens. Leuchtgehirne, Bakteriengoldgräber und DNA-Photoshopping: Kunst mit Biomedien und jenseits der Artengrenzen In Möglichkeit Mensch: Körper | Sphären | Apparaturen Möglichkeit Mensch: Körper, Sphären, Apparaturen: künstlerische und...
Armin Linke, The Appearance of That Which Cannot be Seen
2017
Ziegler, Philipp and Andreas Beitin and Bader Joerg, ed. Armin Linke, The Appearance of That Which Cannot be Seen. Leipzig: Spector Books, 2017.
Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain”
2017
Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement (2017).
“Es ist okay, geflasht zu sein”
2017
Meyer, Anika. “Es ist okay, geflasht zu sein” Monopol - Blog (July 2017).
Es regnet nackte Männer
2017
Fastabend, Anna. Es regnet nackte Männer Der Freitag (July 2017).
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