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de Zegher, Catherine and Gerald McMaster, ed. 18th BIENNALE OF SYDNEY CATALOGUE. Sydney: 18th Biennale of Sydney, 2012.

Dominique Radrizzani and Ursula Perucchi and Danielle Chaperon and Angelika Affentranger and Alexander Hahn. Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English. Vevey/Switzerland: Musée Jenisch, 2002.

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.

Bredekamp, Horst. Überlegungen zur Unausweichlichkeit der Automaten In Puppen, Körper, Automaten: Phantasmen der Moderne/ Kunstsammlung Nordrhein-Westfalen, edited by Pia Müller-Tamm and Katharina Sykora, 94-105. Köln: Oktagon, 1999.

Eckermann, Sylvia, ed. Algorithmisiert. Vienna: Czernin Verlag, 2014.

Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.

Komori, Miyuki. On the map: Artist Interview with Sylvia Grace Borda Oops Magazine Tokyo, Japan (2004).

Parent Sylvie and Martel Christine. Largus : Art and Giving. Quebec, Canada: La Chambre Blanche, 2006.

Chayette, Sylvie. Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon. Le Monde Interactif (June 2000).

Licklider, Joseph Carl Robnett. Man-Computer Symbiosis Transactions on Human Factors in Electronics HFE-1 (March 1960): 4 - 11.