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Dvě ženy/Two women
2021
-
2021
Vašulka Kitchen Brno exhibits two video works by audiovisual artist Matthew Ostrowski, in which a New York native deconstructs the film medium in a new artistic rendering, revealing the hidden meaning of the motifs, shots and messages of the
Jaron Lanier
Jaron Zepel Lanier is an American computer scientist, best known for popularizing the term virtual reality (VR). A pioneer in the field of VR, Lanier and Thomas G. Zimmerman left Atari in 1985 to found VPL Research, Inc., the first company to sell
Deleuze and Contemporary Art
2010
Zepke, Stephen and Simon O'Sullivan. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, 2010.
Deleuze and Contemporary Art
2010
Zepke, Stephen and Simon O'Sullivan. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, 2010.
Schöne Neue Welten
2017
-
2017
Event: Schöne Neue WeltenInstitution: Zeppelin MuseumComment:
Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie
1996
Bredekamp, Horst. Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie Frankfurter Allgemeine 29 (1996): B1.
Cylinder & Bots
2019
-
2019
Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The s
olo
exhibition
Interfaces of Performance
2016
Chatzichrist
odou
lou, Maria and Janis Jefferies and Rachel Zerihan, ed. Interfaces of Performance. London: Routledge, 2016.
Clouding Green
2012
The world’s computing power is moving into the Cloud – but where does the Cloud get its energy? A commission for the 2012 Zero1 Biennial and Samek Art Gallery, the artworks for “Clouding Green” are massive augmented reality clouds in c
olor
s ranging
der zeresser
2007
-
2007
leo peschta der zermesser, 2007 R
obot
Der Zermesser is an aut
onom
ous object whose purpose is to feel its way around and to articulate the relation between its own form and its surroundings. Each side and each corner are aut
onom
ous entities. The
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