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  • Telematic Manifesto -
    Net-Project The "Telematic Manifesto" is a participatory, collectively-generated Net Document that articulates a vision for the future of Telematic Art as a socio-cultural force in the 21st century. This project investigates Telematic Art as the
  • Computer Art: The Future Today
    Event: Computer Art: The Future TodayInstitution: IMéREC (Institut Méditerranéen de Recherche et de Création)Comment:
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
  • William Kentridge -
    Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons
  • 'Digital Light: Technique, Technology, Creation' symposium
    Event: 'Digital Light: Technique, Technology, Creation' symposiumInstitution: University of MelbourneComment:
  • THE RED CAVALRY: CREATION AND POWER IN SOVIET RUSSIA -
    Event: THE RED CAVALRY: CREATION AND POWER IN SOVIET RUSSIAInstitution: Tate ModernComment:
  • Red Cavalry: Creation and Power in Soviet Russia -
    Event: Red Cavalry: Creation and Power in Soviet RussiaInstitution: La Casa EncendidaComment:
  • ISEA 2017: Bio-creation and Peace -
    Event: ISEA 2017: Bio-creation and PeaceInstitution: ISEA International1Comment:
  • The Experimental Party -
    "The Experimental Party" was conceived as an artistic critique of the political process. Based on the model of the political party, an active vehicle for citizens action, the Experimental Party is a shift to experimental thinking, a mediated
  • Beyond Pages -
    Masaki Fujihata calls many of his works “experiments”. To him, BEYOND PAGES is a piece of art. This is among others due to the well-defined framework conditions that—contrary to many of his other works—are not designed as an open process. The
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