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... dance, hear observations about the Depression from a chorus of objects [including two bubbles, a chair, a shawl and a radio] voiced by well known downtown performers Shelley Hirsch, Lisa Karrer, Judy Nylon, Eric Mingus, and Gregory Whitehead and speak...

... Fleischmann und Strauss and the MARS lab created Murmuring Fields (1997-99), a sequel to Home of the Brain, but as voices on an a Mixed R eality (MR) stage. The walk-in soundstage using camera tracking for performers to generate sound through...

... that controlled the visual movements. Functioning like an audio mixer, this modulated the relative volume of the various voices with respect to the changing spatial positions taken by the viewer. Here again an intrinsic conceptual structure was...

... joystick that controlled the user's visual movement. Functioning like an audio mixer, this joystick modulated the various voices in relation to the different spatial positions that the user was taking in relation to the computer graphic representation....

... via sound. In a normal environment, people can orient themselves almost unconsciously by taking in the sounds of footsteps, voices, and other types of audio cues and thereby gain an understanding of the size and types of materials that make up the space he...

... through the walls and floods past its containers in the form of excess. This piece is about those excesses - about private voices and public ecstasy and the material manifestations of the human desire for transcendence. It is about the transgressive power...

... the sculpture to move toward participants. The microphones are placed so relative volume levels of viewer/participants voices can be monitored. Kenneth E. Rinaldo

...Neuro-Baby is a communication tool with its own personality and character. Through emotional modeling, it reacts to changing voices, handshake intensity, and facial expressions. Artificial neural networks allow the system to "learn" from individual human inputs and...