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  • The we are stardust installation
    Andres Burbano. The we are stardust installation Proceedings of the 17th ACM international conference on Multimedia (2009): 1087-1090.
  • Liquid Views
    Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Medien Kunst Geschichte, edited by Hans Peter Schwarz, 108f.. München, DE: Prestel Verlag, 1997.
  • Visions of Hildegard, C
    en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS -
    TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS ANI MOLNÁR GALLERY 04.07.2018 – 29.09.2018 Opening: 04.07.2018, Wednesday at 6 pm. Opening speech by Miklós Peternák art historian Curated by Anna Szepesi art historian Tuesday to Friday 12 pm. -
  • ACM SIGGRAPH Electronic Art and Animation CatalogueComputer Graphics Annual Conference Series 1998ISBN 1-58113-045-7ISSN 1098-6154© 1998 ACM Association for Computing Machineryhttps://digitalartarchive.siggraph.org/person/victor-acevedo/
    Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery
  • Voz Alta -
    "Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco, which took place on October 2nd 1968. In the piece, participants speak freely into a megaphone placed on the "Plaza de las Tres
  • Map Marathon -
    Park Nights Map Marathon: Maps for the 21st Century Saturday and Sunday 16 – 17 October Saturday 16 October, 12–11pm Sunday 17 October, 11am–10pm Major names gather for two-day live event at Royal Geographical Society The Serpentine
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
  • Plot Against Time #3 (lower resolution excerpt) -
    Plot Against Time #3 (Insect Sonata (after Scriabin)), a single channel video, draws out the trajectories of insects in the my shady garden as they pass through beams of sunlight on a rare windless day in spring. The work's subtitle refers to early
  • Home Transfer -
    HOME TRANSFER looks at the relationship between home, architecture and new technologies. The interactive and participatory ‘net-art’ work unfolds via a menu composed of three 'chapters': Guest, Host, and Parasite. The work explores changing notions
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