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... images have originally been captured as stereo images, they have been viewed by a so called "stereo viewer" to create a 3D immersive effect for the viewer. Driven by the desire to combine these historic images with modern digital technology and to make...

... sensations. The emerging texts are synesthetic. They are expressed through three dimensional, liquid text, 16 channel immersive, real-time audio and a tactile bodysuit. The multisensorial output needs new ways of reading. The emerging texts can be...

... complementary unity that plays with our sensorial perception of space in motion. The video projection absorbs us into a dynamic, immersive virtual space, while diffracted light – the result of a specific optical effect of a translucent image-object – triggers...

... of i-glasses! made it possible for the user to see through and around the built-in video screens. Using these new non-immersive HMDs, the audience still maintained a strong connection with the live actors. Furthermore, the communal nature of the...

... total darkness of the space creates for the viewer a state of visual suspension between the two image planes. It is an immersive and embodied construct that draws the spectator into the virtual space of the imagery and dissolves the boundary between...

... themselves into the room to become part of the work. The large, completely darkened exhibition space itself becomes an immersive virtual reality. Because of its strict square grid layout, the light installation, seamlessly embedded into the...

... on the wall panels, the reflected light illuminates the entire exhibition space and the visitors. The work offers an immersive experience bridging the borders between the viewers and the viewed. Abstraction becomes corporeal.

... the static 3D scanning aesthetics into a dynamic cinematographic experience, the spectator becomes the center of a highly immersive mediated version of his surroundings.