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Dancing with the Virtual Dervish
1995
-
1995
... algorithmic liquid architecture, and navigable music to construct an open-ended series of interconnected worlds. (source:
htt
p://www.mat.ucsb.edu/~marcos/Centrifuge_Site/MainFrameSet.html)
Digital Landfill
1998
-
1998
... old lyers of information. Unreadable texts odr icons appear (for example: logo of Yahoo!, Hompepage of the CIA...) (source:
htt
p://www.medienkunstnetz.de/werke/digital-landfill/)
Topobo Backpacks and Dock
2004
-
2005
... by introducing time-based control, children's creations can become performers in a child's story. (Source:
htt
p://tangible.media.mit.edu/projects/topoboBackpacks/index.php)
I-Camera
2004
-
2005
... into activity maps in real-time, and allowing people to get new perspectives and new ideas for the next shooting. (Source:
htt
p://tangible.media.mit.edu/projects/icamera/index.php)
Ripple
1995
-
1995
... computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
htt
p://www.afsnitp.dk/onoff/Texts/eriksenshredthew.html)
PICO
2004
-
2005
... the sense of touch can change the approach that experts take to solving some types of optimization problems. (Source:
htt
p://tangible.media.mit.edu/projects/pico/index.php)
I/O Brush
2003
-
2004
... On the canvas, artists can draw with the special "ink" they just picked up from their immediate environment. (Source:
htt
p://tangible.media.mit.edu/projects/iobrush/)
Sky
1985
-
1985
...Sky is a collection of conceptual pieces to transform nuclear weapons into works of art. (Iris-Project) (source:
htt
p://www.quadrantcrossing.org/papers/CAE_catalogue_MTL.pdf#search=%22george%20gessert%20iris%22)
The Distorted Barbie
1996
-
1996
... and all her baggage have had on our bodies and culture. The site is a poetic and potent piece of Internet art." (source:
htt
p://cyber.law.harvard.edu/property00/respect/csbarbie.html)
Unreal City 2
... faces and textures. Add to this the effects of weather, some grafitti, and you have an unconscious art form. (source:
htt
p://users.rcn.com/napier.interport/uc/uc.html)
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