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  • Fleischmann, Monika and Wolfgang Strauss. "Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts." In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach
  • Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
  • A l’image du « Corridoscope » de Buren, où alternent des bandes noires et blanches, le montage exploite une succession régulière de plans très courts. 935 mètres de bande adopte un tempo saccadé qui suit à la lettre celui de la bande son,texte et
  • Christoph Voegele and Konrad Bitterli and Sabine Rusterholz and Yvonne Volkhart and Margrit Zuckriegl and Alexander Hahn. Alexander Hahn - Werke/Works 1976-2006. Heidelberg: Kehrer, 2007.
  • Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
  • Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and
  • .. interested in the poetry and metaphysics of new technologies. He has created a series of award-winning works that probe the expressive power of new technologies to ask questions about the world ..
  • Pulsate (Ear on the Wall)(2007) Sachiko Kodama Collaborator: Minako Takeno In a white room a table, chair and an ear hang on the walls. The lighting of the room wraps down from the ceiling and onto the vertical wall. These off-centered
  • My first project “Protrude, Flow used six electromagnets. But, the electromagnets occasionally prevented people from viewing the moving liquid. To solve this problem and to simplify the work, I discovered a new technique called “Ferrofluid