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Froze
2001
... screen. FROZE micro-shows will not simply freeze the ongoing flows on our screens but will inquire what other kinds of
cult
ural software - or> even a totally new
cult
ural OS - our world needs today. Lev Manovich, July 2001, Los Angeles.
Pockets full of Memories
2001
-
2001
... of Memories" is the latest installation work in a series begun in the early 1990's dealing with the topics of archive,
cult
ural identities, audience contribution and technological processing of information. Two works that closely relate to this current...
Nancy Mauro-Flude
... performance installations that appreciate visceral networks of data fauna and flora fiction. Nancy seeks to raise awareness of
cult
ural practices that increasingly rely on “Big Tech” infrastructure, compelling the public to consume their products to...
SMDK - Simulationspace of Mobile Datasounds
1993
... mobile elements (agents) and form a self-organizing system by means of simple artificial life rules comparable to a simple
cult
ural community. A visitor who is equipped with a tracking sensor can interactively explore the system in a phyiscal walk-in room...
Time and Time again
1999
-
1999
... It explores the complex relationships between our increasingly interlinked bodies and machines, and the resulting techno-
cult
ural identity. The installation places museum visitors and internet viewers in a complex web of engineered interdependencies...
Laura Netz
... in sonic arts. In 2006, she graduated in Art History (University of Barcelona). Consequently, studies at Master in
Cult
ural Practices and New Media Art (University Ramon Llull). In 2009, establishes in London where attends the Curating course...
Radoslav Rochallyi
...My artwork is critical of social, political, and
cult
ural issues. My work often refers to European history and especially the present. For the last few years, I have been working on my works in the Visual Mathematical form. I process every idea both visually and...
bubbles
1998
-
2000
... %as% bodies: The concrete body outlines on the screen become a means of interaction. It's the body's shadow - a
cult
ural icon in its own right - which is being used as an analog 'interfacing device' to interact with a completely...
Network Neuro-Baby
1995
... appropriate actions at the remote site. Such a Networked NB's will help the mutual understanding, absorption of
cult
ural gap asa well as international
cult
ural exchange very much. The first result has been demonstrated in 1995, by connecting two...
the leap
1998
-
1998
... music to the play and The Norwegian mountain wilds. In the installation these functions as condensed symbols of our
cult
ural heritage. The Leap is an interactive, multi-medial installation which uses true-time media in order to artistically...
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