Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
10
11
12
13
(current)
14
(more)
80
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Manchester Illuminated Universal Turing Machine, #24
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Manchester Illuminated Universal Turing Machine, #20
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Manchester Illuminated Universal Turing Machine, #19
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Signals
2008
-
2008
Realtime recordings of persons using their mouse are layered ontop of each other, divorced from their original context and then projected back into the gallery as an endless looping animation. The resulting monochromatic animation goads the viewer
Paradoxes of Progress: Art at the Eighth International Symposium on Electronic Art
1998
Mandelbaum, Audrey. Paradoxes of Progress: Art at the Eighth International Symposium on Electronic Art New Art Examiner 25, no. 5 (February 1998).
Andrew Carnie
Is an artist and academic. He is currently part of the teaching team in Fine Arts at Winchester School of Art, University of Southampton, England. He was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then
AXIS
1992
-
1992
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1992 Victor: Axis was named by my artist friend, Cheryl Gran.
Extruder
2008
-
2008
The automobile is a fascinating machine. Since its inception the automobile has driven us faster and faster into the future. Carving out the modern world, it has done brilliantly, reproducing itself by the multi-millions. Along the way it has
Martin Rieser
Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic
Myriam Thyes
Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale
1
…
(more)
10
11
12
13
(current)
14
(more)
80