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Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Being There: The Subjective Experience of Presence
1992
Heeter, Carrie. Being There: The Subjective Experience of Presence Presence: Teleoperators and Virtual Environments (Fall 1992).
Videowelt und Fraktales Subjekt
1991
Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.
Sublime Ecologies and Artistic Endeavours: Artificial Life, Interactivity and the Internet
1996
Prophet, Jane. Sublime Ecologies and Artistic Endeavours: Artificial Life, Interactivity and the Internet Leonardo 29, no. 5 (1996): 339-344.
Data Visualisation as New Abstraction and Anti-Sublime
2002
Manovich, Lev. Data Visualisation as New Abstraction and Anti-Sublime .
Pixelware, a sublime forgery exhibition
2005
Carpenter, JR. Pixelware, a sublime forgery exhibition Dazibao Gallery (January 2005).
Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
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