Archive Search

Allen, Rebecca and Erkki Huhtamo. I Always Like to Go Where I Am Not Supposed to Be In Women, Art, and Technology, edited by Judy Malloy, 224-241. Cambridge, MA: Massachusetts Institute of Technology, 2003.

Klinke, Harald and Lisa Surkemper. Interview: George Legrady https://dahj.org/article/in-conversation-with-george-legrady.

Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.

Kimmett, Colleen. Google Farm View: Artist Sylvia Grace Borda gives agrarian Surrey a techie treatment The Tyee (Weekend Edition) Oct 19, no. 2013 (October 2013): http://thetyee.ca/ArtsAndCulture/2013/10/19/Google-Farm-View/.

Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

Foucault, Michel. Surveiller et punir. Naissance de la prison. Bibliothèque des histories Collection Tel Band 225, Paris: Gallimard, 1975.

Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).

Pui, Susan and Nina Ernst, ed. Faster, Higher. London, UK: Film and Video Umbrella, 2009.