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Open Art : le numérique… et après ?
2010
Event: Open Art : le numérique… et après ?Institution: Création artistique et révolution numérique, Observatoire des politiques culturelles, Conseil régional, Charbonnières les BainsComment:
Five Themes
2009
Combining the political with the poetic, William Kentridge's work has made an indelible mark on the contemporary art scene. Dealing with subjects as sobering as apartheid and colonialism, Kentridge often imbues his art with dreamy, lyrical
Felix in Exile
1994
Kentrigde uses charcoal and pastels for his drawings in which he erases and redraws parts to create stop motion style animations.
Nacho Frades
In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly landscapes of lonely places, where I am the only person in the work, the person that sees them, the observer.
Casual Workers, Hallucinations and Approriate Ghosts
1994
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1994
a video installation, was commissioned for the lobby of a movie theater in Time Square by Creative Time, Inc. and the 42nd St. Development Corp. for The 42nd Street Art Project. The piece tracks a metamorphosis from a choreography based on the
Rara Avis
1996
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1996
The work Rara Avis (1996) of Eduardo Kac consists of a large cage, in which thirty real birds (zebra finches) and a telerobot, which looks like a rare bird, take place. In the macaws eyes are installed two cameras with Charge-Coupled Devices
Expanded sensorium and physiological sensors
2015
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2015
EVALUATION OF PHYSIOLOGICAL VARIABLES in an unusual context, that is, non-clinical or laboratory, using a T-shirt developed by undergraduate students in Electronic Engineering and Masters in Biomedical Engineering, with sensors capable of measuring
Denis Masi
Masi studied at Seton Hall University, N.J. USA, Brera Academy of Fine Art, Milan, Italy, PG Studies at Slade School of Fine Art and Chelsea School of Art, London, UK. Denis Masi is an experimental artist who has worked, for 40 plus years, across a
Ectoplasmic Kitchen v01
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 was Acevedo’s first
Charged Havens
1996
Dyson, Frances. Charged Havens WorldArt 3 (Fall 1996): 42-47.
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