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GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.

Heeter, Carrie. Being There: The Subjective Experience of Presence Presence: Teleoperators and Virtual Environments (Fall 1992).

Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.

Prophet, Jane. Sublime Ecologies and Artistic Endeavours: Artificial Life, Interactivity and the Internet Leonardo 29, no. 5 (1996): 339-344.

Manovich, Lev. Data Visualisation as New Abstraction and Anti-Sublime .

Eliot, Charles William, ed. A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful. The Harvard Classics, Vol. 24, Part 2, New York: Collier and Son Comp., 1909.

Carpenter, JR. Pixelware, a sublime forgery exhibition Dazibao Gallery (January 2005).

DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.

Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.

Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.