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  • Biometric identificationsystems like Irisscanning use mathematical methods to identify personal characteristics. The BiometricSoundEngine works the same way. Personal data like the color information of the human iris is not used for surveillance or...
  • Biomer Skelters (“biome” + “helter-skelter“) is a crowd sourced, wild growth forest-to-rainforest propagator that creates a city-wide public artwork by connecting participants’ interior biorhythms to exterior urban ecosystems.
  • Robles-Angel, C. et al. Biomedical Signals in Media Art. Manizales: ISEA, 2018.
  • Hauser, Jens. Biomediality and Art In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
  • presenting "A-Volve" from the ZKM Media Museum Collection
  • BIOMA -
    Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this...
  • Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus
    dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag, ...
  • Marta de Menezes. Biological Artworks Genesis: life at the end of the information age (2007).
  • Robles, Claudia. Biofeedback and Choreography Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag. ISBN 978- 3- 211-33357-0 (2006): 146 – 147.
  • Biodesign -
    Event: BiodesignInstitution: The New Institute Comment: