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Reinhuber, Elke. Face Value – the Artistic Value of Currencies In Virtualities and Realities . New Experiences, Art and Ecologies in Immersive Environments, edited by Rasa Šmite and Raitis ŠmitsLiepāja: RIXC/Mākslas pētījumu laboratorija, Liepāja

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.

Kisseleva, Olga and Barbara Formis. Custom Made. London: KT Press, 2014.

GMD, ed. Laut Folgen - Theater der interaktiven Erfahrung (Theaterkonzept für das Cutting Edge Archiv im KünKünstler Mousonturm). Sankt Augustin: 1998.

Prophet, Jane. Imag(in)ing the Cyborg In Desire by Design: Body, Territory and New Technologies, edited by Cutting Edge Research Group, 51-60. London, UK: IB Taurus, 1998.

Dunn, Ashley. The Cutting Edge: New Way to Ease Web Traffick James Is Winning Big-Name Fans Los Angeles Times (August 1999).

Borda, Sylvia Grace. Impressions - digital cyanotypes. Studies in Photography Scotland, 2013 th ed.Scotland: The Scottish Society for the History of Photography, 2013.

Hershman, Lynn. Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space In Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts, Kunstsammlung Nordrhein-Westfalen, Köln: DuMont, 2000.

Benayoun, Maurice. Cyber Récréation. Ars Electronica 1996 Technicart (1996).

Dyens, Olliver. The Emotion of Cyberspace: Art and Cyber-Ecology Leonardo 27, no. 4 (July/August 1994).