Archive Search

  • Damisch, Hubert. The Origin of Perspective. Cambridge, MASS: The MIT Press, 1995.
  • Eduardo Kac pioneered telepresence art in 1986, when he created his first wireless robot, a remote-controlled anthropomorphic figure through which human participants could engage in conversation. In 1989 Kac developed with Ed Bennett the telerobot...
  • Paper accepted: Contemporary Immersive Strategies of Digital Arts: Emilio Vavarella and its Contemporaries. Conference canceled due to pandemic.
  • Damm, Ursula. The outline of paradise - ein Kunstprojekt im Dialog mit synthetischer Biologie [].
  • The Pain machineArtist: Kirschner, Morawe, ReiffComment:
  • Could this be the future of cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of visual and aural systems of...
  • Truckenbrod, Joan. The Paradoxical Object: Video Film Sculpture. London: Black Dog Publishing, 2013.
  • In her VR piece, The Parallel Dimension, Teresa Wennberg based her work concept on a realistic form language combined with highly sophisticated texture maps. There is a clear relation to her earlier works in 2- and 3-dimensional computer animation...
  • En septembre 1995 Les visiteurs du musée d’Art Contemporain de Montréal et ceux du Centre Georges Pompidou à Paris creusaient chacun de leur côté un tunnel virtuel à la rencontre les uns des autres. Deux ans plus tard ce premier maillon d’un tunnel...
  • Group show related to the Generative Art Summit, Herbert W. Franke Foundation, Berlin July 2024