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Kera Denisa. Grassroots R&D, prototype cultures and DIY innovation: global flows of data, kits and protocols Pervasive Adaptation (2011): 1.

Kusahara, Machinko. From Ukiyo-e to Mobile Phone Screens - A Japanese Perspective In Migrating Images, edited by Peter C. Seel and Petra StegmannBerlin: House of World Cultures: 2004.

Ebner, Jorn. Handbook for a Mobile Settlement. Cumbria, UK: Grizedale Publications, 1999.

Dr. Uwe Rüth. ENERGIE WECHSEL –an artist in residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing.. Flushing (NL): IK Foundation, 2016.

Schleiner, Anne-Marie. Fluidities and Oppositions among Curators, Filter Feeders, and Future Artists Intelligent Agent Magazine (2003).

Lovejoy, Margot. Postmodern Currents, Art and Artists in the Age of Electronic Media. Second Edition th ed.New York: Perason Education, 1997.

GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.

Kusch, Martin. Body, Space, Movement and Interactive Technologies in the Performance-Installation Passage In Interface Cultures, edited by C. Sommerer and D. King and L. Mignonneau, 237-243. Bielefeld: Transcript Verlag, 2008.

Reinhuber, Elke. Face Value – the Artistic Value of Currencies In Virtualities and Realities . New Experiences, Art and Ecologies in Immersive Environments, edited by Rasa Šmite and Raitis ŠmitsLiepāja: RIXC/Mākslas pētījumu laboratorija, Liepāja

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.