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  • Living Tattoos -
    Throughout human history, people have added to their bodies iconic shapes in a way to look for identity transcendence: from flowers, dragons, snakes and butterflies, to angels and other religious figures. The Living Tattoos project is centered in a
  • Living Tattoos Social Platform
    DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Living Tattoos Social Platform CHI 2008 Art, science, balance. Urban Mixed Realities (2008).
  • user_mode = emotion + intuition in art + design
    user_mode is an international, multidisciplinary symposium looking at interactive art and design practices. It examines how creative practitioners engage the emotions of the audience/user. What is meant by emotional engagement? Is it immersion,
  • No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
    No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
  • Living Tattoos -
    CHI_Human Computer Interface - ACM
  • Vom Zen des Tauchens
    Grau, Oliver. Vom Zen des Tauchens Die Zeit (June 1997): 62.
  • Tracing -
    Tracing is a two screen projection installation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two states of cultural difference in the information age. Texts and ambient sounds are continuously projected
  • Lillian F. Schwartz
    Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • Spectropia -
    A work in progress , is an evening-length interactive media performance performed by two players with the the participation of audience members. Spectropia can also be presented as an interactive installation for two viewers at museums, festivals
  • Museum for Insects - video
    Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
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