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  • Riviere, Daniele. Paysages Virtuels. Paris: Editions Dis Voir, 1988.
  • Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.
  • Shaw, Jeffrey. Un Musée Imaginaire de la Revolution Mediamatic 2, no. 4 (1988).
  • William Latham's Computer Artworks In 1990 Mark Ayres was commissioned by artist William Latham (then Visiting Fellow at the IBM UK Scientific Centre) to compose a score for his Computer Art film The Evolution of Form. The result was highly
  • After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Ascott, Roy. Supervernetzung im unendlichen Datenraum In Zwischen Null und Eins, edited by Peter Purgathofer, 53-59. Wien: TU Wien, 1988.
  • Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
  • Brand, Steward. The Media Lab: Inventig the Future at M.I.T.. London: Penguin Press, 1988.
  • Weibel, Peter and Valie Export. Stimmen aus dem Innenraum In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 135-148. Linz: Gutenberg-Werbering, 1988.
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary