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  • Paul Garrin began working with video while studying fine arts at the Cooper Union School of Art in New York. His works over the past 20 years encompass a full spectrum of analog and digital media from video to the Internet, exploring media and the
  • Shaw, Jeffrey. Un Musée Imaginaire de la Revolution Mediamatic 2, no. 4 (1988).
  • Ascott, Roy. Supervernetzung im unendlichen Datenraum In Zwischen Null und Eins, edited by Peter Purgathofer, 53-59. Wien: TU Wien, 1988.
  • William Latham's Computer Artworks In 1990 Mark Ayres was commissioned by artist William Latham (then Visiting Fellow at the IBM UK Scientific Centre) to compose a score for his Computer Art film The Evolution of Form. The result was highly
  • Martina Menegon (she/her - Italy, 1988) is a digital artist, curator, and educator based in Vienna. She is Senior Artist and Lecturer in the Transmedia Art department at the University of Applied Arts Vienna, where she teaches "Digital Design and
  • Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Brand, Steward. The Media Lab: Inventig the Future at M.I.T.. London: Penguin Press, 1988.
  • Weibel, Peter and Valie Export. Stimmen aus dem Innenraum In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 135-148. Linz: Gutenberg-Werbering, 1988.
  • Couchot, Edmond. Images. De l´optique au numerique. Paris: Hermes, 1988.