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Overscale Art in Public Space: from Play to Dysplay 2016

Benayoun, M.. Overscale Art in Public Space: from Play to Dysplay ISEA2016 (2016).
Memory Dump, the Disregarded Power of Undone Art 2016

Benayoun, M.. Memory Dump, the Disregarded Power of Undone Art ISEA2016 (2016).
Open Sky Gallery 2016

Benayoun, M.. Open Sky Gallery What Urban Media Art Can Do (2016).
Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics 2016

Benayoun, M. and J. Bares. Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics What Urban Media Art Can Do (2016).
Wo realer und virtueller Raum verschmelzen 2016

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series 2016

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
The Gaze from the Apocalypse 2016

Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
Neuroart, neuroaesthetics and the question of consciousness 2016

Berlot, Uršula. Neuroart, neuroaesthetics and the question of consciousness Journal for the Critique of Science, Imagination, and New Anthropology. Ljubljana: Inštitut Časopis za kritiko znanosti XLIV/265 (2016).
Minimal difference and modern mimesis 2016

Berlot, Uršula. Minimal difference and modern mimesis Likovne besede/Art Words. Ljubljana: ZDSLU 103 (2016).
The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno 2016

Breda Kolar Sluga and Peng Feng. The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno UGM, Maribor, 3. 6. – 14. 8. 2016, Today Art Museum, Beijing, 10. 9. – 9. 10. 2016. Maribor: Umetnostna galerija (2016).

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