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Impressions - digital cyanotypes
2013
Borda, Sylvia Grace. Impressions - digital cyanotypes. Studies in Photography Scotland, 2013 th ed.Scotland: The Scottish Society for the History of Photography, 2013.
Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space
2000
Hershman, Lynn. Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space In Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts, Kunstsammlung Nordrhein-Westfalen, Köln: DuMont, 2000.
Cyber Récréation. Ars Electronica 1996
1996
Benayoun, Maurice. Cyber Récréation. Ars Electronica 1996 Technicart (1996).
The Emotion of Cyberspace: Art and Cyber-Ecology
1994
Dyens, Olliver. The Emotion of Cyberspace: Art and Cyber-Ecology Leonardo 27, no. 4 (July/August 1994).
Cyber-Animism and Augmented Dreams
2011
Thiel, Tamiko. Cyber-Animism and Augmented Dreams Leonardo Electronic Almanac (April 2011).
Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities
2018
Bill Seaman. Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cyber Semiotics (2018).
Cyber esthétique et l'ingénierie des sens en Software Art
2007
DOMINGUES, DIANA MARIA G. Cyber esthétique et l'ingénierie des sens en Software Art Mobile/Immobilized: Art, Technologies and (Dis) Abilities (2007).
Le CyberArt et La Magie du Cyberspace
2003
Domingues, Diana. Le CyberArt et La Magie du Cyberspace In Les défis du cybermonde, edited by Hervé FischerQuebec, CAN: Presses de l'Université du Québec, 2003.
@art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3,http://www.lhham.com.sg/15solo/15ctlg.html
1997
Lin Hsin Hsin. @art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3, http://www.lhham.com.sg/15solo/15ctlg.html. Vol.1. 1 th ed.SIngapore: Lin Hsin Hsin Art Museum, 1997.
Virtual Reality: A Status Report
1992
Lanier, Jaron. Virtual Reality: A Status Report In Cyberarts: Exploring Art and Technology, edited by Linda Jacobson, 272-279. San Francisco: Miller Freeman Inc., 1992.
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