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  • WRO 99
    Theme: The Power of Tape
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
  • Ed Tannenbaum
    Ed Tannenbaum was an Artist in Residence at the Exploratorium in San Francisco, Art Institute in Chicago, consulted and developed traveling shows with the Fleet Science Center, consulted with Atari, Sony, 3DTV Corp., Tom Tit’s Experiment in Sweden,
  • Dio-Hirst alla Tate Modern: Mentre fervono i preparativi per la retrospettiva londinese, arriva l'applicazione in realtà aumentata che "celebra" l'artista inglese
    Tanni, Valentina. Dio-Hirst alla Tate Modern: Mentre fervono i preparativi per la retrospettiva londinese, arriva l'applicazione in realtà aumentata che "celebra" l'artista inglese Artribune (March 30, 2012).
  • Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell
    Kacunko, Slavko. Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell In Closed Circuit Videoinstallationen, edited by Slavko KacunkoBerlin: Logos, 2004.
  • back forward rewind – online exhibition for the 20th Anniversary of MediaArtLab -
    Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
  • Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
    Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
  • Another Day in Paradise -
    The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in
  • Signals -
    Realtime recordings of persons using their mouse are layered ontop of each other, divorced from their original context and then projected back into the gallery as an endless looping animation. The resulting monochromatic animation goads the viewer
  • The Design of the Grip - video
    The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
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