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Packer, Randall and Ken Jordan. Multimedia: From Wagner to Virtual Reality. New York: W. W. Norton and Company Inc, 2002.

Apter, Emily S.. The Translation Zone. A New Comparative Literature. Princeton, NJ: Princeton Univ. Press, 2006.

Manovich, Lev and Jeremy Douglass and Tara Zepel. How To Compare One Million Images? http://manovich.net/index.php/projects/how-to-compare.

Lozano-Hemmer, Rafael. The Trace In Ars Electronica ´95 Compendium (Prix Ars Electronica 1995), Linz: 1995.

Cadet, France. Art Embodies A-Life: The VIDA Competition Leonardo 41, no. 1 (2008).

Manovich, Lev. Competitive Photography and the Presentation of the Self http://manovich.net/index.php/projects/competitive-photography-and-the-presentation-of-the-self.

Moore, Lila. Technoetic Magick: Explorations of the uncanny double as a noetic and magickal system through the complementary lenses of AI image-generation and AR (Jul 2024): 232-239.

Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.

Grau, Oliver. IMAGES (R)-EVOLUTION Media Arts Complex Imagery Challenging Humanities and Our Institutions of Cultural Memory Leonardo Electronic Almanach 20, no. 2 (2014): 71-85.

DOMINGUES, DIANA MARIA G. Ciberadão: vida pós-humana e complexidade digital nas práticas transdisciplinares em arte e ciência Polêmica 23 (2008).