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Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Bredekamp, Horst. A Neglected Tradition: Art History as Bildwissenschaft Critical Inquiry 29 (2003).

Sukuraman, Ashok. A Critical Review of Rafael Lozano-Hemmer's Work in Venice .

Nechvatal, Joseph. Immersive Ideals / Critical Distances. Saarbrücken: LAP Lambert Academic Publishing, 2009, 2009.

Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].

Critical Art Ensemble. Molecular Invasion. New York: Autonomedia, 2002.

Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.

Huhtamo, Erkki. Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion In Critical Issues in Electronic Media, edited by Simon Penny, 159-186. Albany, NY: State University of New York Press, 1995.

Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.

Berlot, Uršula. Georges Bataille – On Art. Journal for the Criticism of Science Journal for the Criticism of Science, Imagination and New Anthropology (ČKZ) XXX (2002): 209 – 210.