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Wilson, Stephen. Using Computers to Create Art. New Jersey: Prentice Hall, 1986.

Jones, Stephen. Towards a Philosophy of Virtual Reality: Issues Implicit in "Consciousness Reframed" Leonardo 33, no. 2 (2000): 125-132.

Porter, Stephen M.. Expanding the VR Aesthetic Computer Graphics World 19, no. 7 (July 1996): 4.

Meadows, Mark Stephen. Pause and Effect: The Art of Interactive Narrative. San Francisco: New Riders Press, 2002.

Kovats Stephen and Cramer Florian and Petresin Natasa and Vincent Cédric and Kunst Bojana and Holmes Brian. Conspire (transmediale pacours 1). Frankfurt am Main, Germany: Revolver_Archiv für actuelle Kunst, 2008.

Wright Stephen. « Erehwon et son double », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza and Remi Chaignon. An Emotionally Responsive AR Art Installation ISMAR’07 (2007).

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München: