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  • Brett Van Hoesen
    Scholar: Brett Van Hoesen
  • Brenda Laurel
    Brenda Laurel is a designer, researcher and writer. Her work focuses on interactive narrative, human-computer interaction, and cultural aspects of technology. Her career in human-computer interaction spans over twenty-five years. She holds an M.F.A....
  • Breathless
    Installation consists of three light objects. Two of them are connected to the RSS [web] feed via computers, and the third, with the aid of the anemomenter provides wind, temperature, noise of street (environment). Computer searches for all words,...
  • Breathless -
    Event: BreathlessInstitution: West Virginia UniversityComment:
  • Breathing/Diving/Dreaming/Dancing BEAP in Perth (You Can´t Buy These Emotions off the Hollywood Shelf)
    Jones, Stephen. Breathing/Diving/Dreaming/Dancing BEAP in Perth (You Can´t Buy These
    Emotions off the Hollywood Shelf) Artlink 22, no. 4 (2002).
  • Breathing Chaos -
    Year:2004 (short film, 8min 11sec) Sachiko Kodama
    Sound by Ippei Ogura
    Breathing Chaos is a short film that uses the dynamic forces of nature to suggest that life emerges from the expression of physical power.
    Themes include the chaos of...
  • Breath
    Human breathing is a complicated mechanism that can be influenced so that people changes their peed of breathing.
    Breath is a virtual space in which the spectator experiences in a cybernetic world presenting images how breath mechanism can be...
  • Breath
    https://www.google.com/search?client=firefox-b-d&q=peter+lang+leipzig
  • Breaking The News - Be a News-Jockey
    Interactive net-based multi screen installation Just tell us a headline or your favorite words and we'll create a modifiable streaming news-station for you. «Breaking The News» is an interactive installation, transmitting in realtime information from...
  • Breaking the Navajo Code with Bill Toledo
    Andrés Burbano and Esteban García Bravo. Breaking the Navajo Code with Bill Toledo Artnodes. Revista de arte, ciencia y tecnología , no. 16 (2016): 26-33.
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