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Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb
2012
Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].
Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics
2016
Benayoun, M. and J. Bares. Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics What Urban Media Art Can Do (2016).
Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland
2000
Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.
Art, Eco-aesthetics and Cosmopolitics
2022
Alvaro, Sandra. Art, Eco-aesthetics and Cosmopolitics In Green Revisited. Encountering Emerging Naturecultures in Art and Research, edited by Jeans Hauser and Kristin Bergaust and Raitis Smits and Rasa Smite, 217 - 236. : RIXC, 2022.
Mentopolis
1994
Minsky, Marvin. Mentopolis. Stuttgart: Keltt-Cotta Verlag, 1994.
Understanding Hypermedia: From Multimedia to Virtual Reality
1993
Cotton, Bob and Richard Oliver. Understanding Hypermedia: From Multimedia to Virtual Reality. London: Phaidon Press, 1993.
Zwischen Reellem und Virtuellem: Die Kunst der Hybridation
1993
Couchot, Edmont. Zwischen Reellem und Virtuellem: Die Kunst der Hybridation In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian UND Weibel Rötzer, 340-449. München: Boer Verlag, 1993.
Images. De l´optique au numerique
1988
Couchot, Edmond. Images. De l´optique au numerique. Paris: Hermes, 1988.
In Repertoire: A Guide to Australian New Media Art
2003
Gallasch, Keith, ed. In Repertoire: A Guide to Australian New Media Art. Strawberry Hills, AUS: Australia Council of the Arts, 2003.
Art, Surveillance and Metadata
2016
Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.
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