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  • 1990 Filmhaus Esplanade, Berlin: »Berlin-Potsdamer Platz - eine Untergrundstudie«.
  • Weibel, Peter. Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz Die Welt (June 17th 1999): 16.
  • Cylinder & Bots -
    Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The solo exhibition
  • Salon du Monde -
    In cooperation with Kunsthaus Bregenz Gabriele-Tergit-Promenade 7 (Potsdamer Platz) / public space
  • SonoMorphis - video
    An organic object is projected in front of the visitors. By means of a control mechanism the user can rotate the object in all directions and observe it from various perspectives. Control sliders allow the viewer to vary diverse parameters of the
  • As one of the installation's aesthetic goals is the bodily impression of the generated object on the user, a sound synthesis technique was in demand, that is able to both render a visible object's genuine sound thru all its user-inferred alterations
  • "I am an artist, researcher, hacker dedicated to exploring new modes of expression and play."
  • GENMA - video
    GENMA is a machine, that enables us to manipulate 'Nature'. Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and
  • Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studies at the Academy of Media arts in Cologne. Early sculptures were models of space and time, developed in a bodily experience. In the 1990s installations were
  • Intervention at the media facade of the HVB at Potsdamer Platz (SPOTS light- and media facade) as part of the exhibition Salon du Monde, Berlin (Germany). Between 2006 and 2008, the SPOT light and media facade on Potsdamer Platz in Berlin was the