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  • CAD in Architektur und Design. Die ergonomische Gestaltung von Räumen
    Fleischmann, Monika and Wolfgang Strauss. CAD in Architektur und Design. Die ergonomische Gestaltung von Räumen NOVUM: Hewlett Packard Magazin 4 (1990).
  • HOMO NOVUS -
    HOMO NOVUSArtist: MOON Martina ZelenikaComment:
  • What you see is what you get?
    Galloway, Alexander. What you see is what you get? In The archive in motion: new conceptions of the archive in contemporary thought and new media practices, edited by Eivind Røssaak, 155-182. Oslo: Novus Press, 2010.
  • Fascinum -
    Artworks Fascinum December, 2001 Fascinum is a Yahoo Hack. It shows in real-time the news pictures the most viewed (ranked from 1 to 10) on different national Yahoo portals. The viewer surfs at the top of the infotainment wave and experiments
  • Do robotic cats dream of electric fish? -
    Nemo, the robotic fish, is swimming imperturbably in the screen, which is his fish tank as well. The robotic cat is sitting in front of the screen and he is watching it as he was looking at a real fish swimming in a real tank. Time to time he
  • Novus. Extinctus -
    Novus. ExtinctusArtist: (collective) Transnational TempsComment:
  • MINDSCAPE -
    MINDSCAPE is a metaphor of what we are becoming in this digital era. Like most people nowadays, the performer appears isolated and hooked up with a computer, his/her body connected to and surrounded by light wires, creating a distance between the
  • Featured Artist Claudia Robles-Angel
    .. explore the potential of the human body to be an audio-visual instrument ..
  • Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna
    Grau, Oliver. Nowe obrazy z zycia: Rzeczywistosc wirtualna, sztuka genetyczna i transgeniczna Kwartalnik filmowy 35-36, no. XXI (2001): 108-119.
  • Laboral. feedforward the angel of history -
    FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information
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