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Control and Freedom: Power and Paranoia in the Age of Fiber Optics
2006
Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
World Stage: United Kingdom
2020
All the world's a stage, And all the men and women merely players -- Shakespeare. World Stage, uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a year when national, political
Plasm: Not a Crime
1998
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1998
"Plasm: not a crime" is the artistic statement of Peter Broadwell and Rob Myers that sharing secrets is not a crime. It used to be that most interactions between people took place face to face. If you had a desire to keep something confidential,
SP3X
2005
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2006
SP3X is a new type of three-dimensional interface for creating, modifying, and navigating volumetric data. It combines the intuitive and improvisational strengths of tangible interfaces with the visualization power of mixed reality. Users can create
POPUREVE
1988
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1989
video
POPUREVE, a fast-paced 3D animation about the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
Freefall, Arts Council England international artists fellowships 2001-2003
2004
Boredomresearch. Freefall, Arts Council England international artists fellowships 2001-2003. : Arts Council England, 2004.
Ana Peraica
independent scholar and freelance curator
Fruit Machine
1991
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1991
video
In this installation, an interactive format similar to FOURSPACE (1991) has been developed in a different aesthetic direction. The game as a primary modality of interactivity is chosen as the functional context for a strategy of communication
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