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  • Warren Neidich: Historical In(ter)vention
    Joselit, David and Ron Platt and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.
  • Cylinder & Bots -
    Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The solo exhibition
  • I am a Sensor
    Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
  • Berlin-Cyber City Potsdamer Platz Untergrundstudie
    1990 Filmhaus Esplanade, Berlin: »Berlin-Potsdamer Platz - eine Untergrundstudie«.
  • Approximately 3 Dimensions -
    To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along
  • Ursula Damm
    Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studies at the Academy of Media arts in Cologne. Early sculptures were models of space and time, developed in a bodily experience. In the 1990s installations were
  • Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz
    Weibel, Peter. Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz Die Welt (June 17th 1999): 16.
  • Salon du Monde -
    In cooperation with Kunsthaus Bregenz Gabriele-Tergit-Promenade 7 (Potsdamer Platz) / public space
  • SonoMorphis - video
    An organic object is projected in front of the visitors. By means of a control mechanism the user can rotate the object in all directions and observe it from various perspectives. Control sliders allow the viewer to vary diverse parameters of the
  • Sono reMorphed video
    As one of the installation's aesthetic goals is the bodily impression of the generated object on the user, a sound synthesis technique was in demand, that is able to both render a visible object's genuine sound thru all its user-inferred alterations
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