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A Critical Review of Rafael Lozano-Hemmer's Work in Venice
2007
Sukuraman, Ashok. A Critical Review of Rafael Lozano-Hemmer's Work in Venice .
Immersive Ideals / Critical Distances
2009
Nechvatal, Joseph. Immersive Ideals / Critical Distances. Saarbrücken: LAP Lambert Academic Publishing, 2009, 2009.
BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production
2007
Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
Molecular Invasion
2002
Critical Art Ensemble. Molecular Invasion. New York: Autonomedia, 2002.
System Stories and Model Worlds: A Critical Approach to Generative Art
2005
Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.
Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion
1995
Huhtamo, Erkki. Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion In Critical Issues in Electronic Media, edited by Simon Penny, 159-186. Albany, NY: State University of New York Press, 1995.
The Art of Real Time
2001
Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.
Georges Bataille – On Art. Journal for the Criticism of Science
2002
Berlot, Uršula. Georges Bataille – On Art. Journal for the Criticism of Science Journal for the Criticism of Science, Imagination and New Anthropology (ČKZ) XXX (2002): 209 – 210.
Kurzweil´s Turing Fallacy
2002
Ray, Tom and Georg Gilder and Ray Kurzweil and Michael et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.
Critique-New York, The Terminal
1984
Penny, Simon. Critique-New York, The Terminal Art Network (1984).
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