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Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.

Corbou, Michael. Le mariage de l´art et de la technologie Enjeux les Ecoes 93 (1994).

Corby, Tom. Landscape of Feeling, Arenas of Action: Information Visualization as Art Practice Leonardo 41, no. 5 (October 2008): 460-467.

Corby, Tom and Gavin Baily. Extra-Ordinary Practices In Extra-Ordinary Practices: A Retrospective of British Media Art, , 53-64. Dresden: 2006.

Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich

Gates-Stuart, Eleanor and Marguerite Bramble and Rafael de Lima and Bernard Higgins and Coralie McKenzie and Samantha Dowdeswell and Robert Lewis. Evoking Memories: Displacing the Fear of Technology Fusion Journal 016 (2019): 23-35.

Corby, Tom, ed. Network Art: Practices and Positions. London: Routledge, 1990.

Tom Corby. Gameboy UltraF_uk Novas Medias (new medias) file 2003 (2004): 114-115.

Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das

Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.