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DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.

DOMINGUES, DIANA MARIA G. De La Fenêtre au Labyrinthe: Les technologies, le corps et le plaisir des relations Isea Inter Society Eletronic Arts, Montreal 1 (1995): 64-65.

Lozano-Hemmer, Rafael. Perverting Technological Correctness Leonardo Electronic Almanac / Leonardo Art Gallery 29, no. 1 (1996).

Lozano-Hemmer, Rafael. Arte Electronico: Pervirtiendo lo tecnológicamente correcto Movimiento Actual (November 1997).

Zapp, Andrea. Last Entry: No User - No Project In Correspondance, edited by Leipziger Jahresausstellung, 30-33. Leipzig, DE: 1999.

Berlot, Uršula. Pictorial Abstractions: Visualizing Space in the Eras of Modernism and Information AR / Architecture Research I/2018 “Correspondences”. Ljubljana: Faculty of Architecture, University of Ljubljana (2018).

Abbado, Adriano. Perceptual Correspondences of Abstract Animation and Synthetic Sound (1988).

Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].

Benayoun, M. and J. Bares. Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics What Urban Media Art Can Do (2016).

Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.