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Cirio, Paolo and Alessandro Ludovico. The Hacking Monopolism Trilogy In ISEA 2013: Resistance is futile. Proceedings of the 19th International Symposium on Electronic Art, edited by Kathy Cleland and Laura Fisher and Ross HarleySydney: 2013.

Moscow Museum of Modern Art, ed. The History of Gender and Art in Post-Soviet Space. Moscow: MMOMA, 2010.

Grau, Oliver. The History of Telepresence: Automata, Illusion and Rejecting the Body In Nature, edited by Jeffrey Kastner, 121-124. London: Whitechapel Gallery, 2012.

Grau, Oliver. The History of Telepresence: Automata, Illusion, and The Rejection of the Body In The Robot in the Garden: Telerobotics and Telepistemology on the Internet, edited by Ken Goldberg, 226-243. Cambridge: MIT Press, 2000.

Strauss, Wolfgang and Monika Fleischmann. The House of Illusion Extending the boundaries of Space Added Value of Computer Aided Architectural Design 1, no. ISBN 90- 76101-01-9 (Feb 1997): 53-57.

Strauss, Wolfgang and Fleischmann,Monika. The House of Illusion: Extending the Boundaries of Space [].

Shanken, Edward. The House that Jack Built: Jack Burnham´s Concept of `Software` as
a Metaphor of Art Leonardo Electronic Almanac 6, no. 10 (November 17th 1998).

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.

Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.

Boulic, Ronan and Tolga K. Capin and Zhiyong Huang and Prem
et. al. Kalra. The HUMANOID Environment for Interactive Animation of Multiple Deformable
Human Characters In Proceeding Computer Graphics Forum ´95, edited by Computer Graphics...