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  • Event: The Entropy of Digital DebrisInstitution: University of GreenwichComment:
  • Working extensively with social-political context from the 1980s, in 1991 (art)n created »The Equation of Terror« which referred to the Gulf War. The work entailed animated mathematical equations and PHSColograms which depicted economic, biological...
  • Legrady, George. The Equivalents II. In B+B Arts International, edited by H. v. Amelunxen, 216-221. Amsterdam: 1995.
  • The Essence 2009 -
    Event: The Essence 2009Institution: Universität für Angewandte Kunst WienComment:
  • Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).
  • We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,...
  • Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.
  • Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals? If we look at images of...
  • Manovich, Lev and Alise Tifentale and Mehrdad Yazdani and Jay Chow. The Exceptional and the Everyday: 144 Hours in Kyiv http://manovich.net/index.php/projects/kiev-article.
  • Event: The expanded eye. Stalking the unseenInstitution: Kunsthaus ZürichComment: