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Balpe, Jean-Pierre. Contextes de l´art numerique. Paris: Hermes, 2000.

Baigorri, Laura. Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70.. Madrid: Brumaria 4. Asociación Cultural Brumaria, 2004.

Kluszczyński, Ryszard W.. Theoretical, Philosophical and Cultural Contexts of Interactive Art In Interactive Media Arts, edited by Antoni Porczak, 7-53. Kraków: Academy of Fine Arts, 2009.

Middlebrooks, Kaley. New Media Art: A New Frontier or Continued Tradition? .

Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum - Electronic Arts in Australia 8, no. 1 (1994).

Legrady, George and Rama Hoetzlein. Making Visible the Invisible: A Data-Driven Artwork in Continuos Operation for 15 Years https://www.mat.ucsb.edu/g.legrady/glWeb/publications/p/makingvisible.pdf.

Fleischmann, Monika and Jean-Francois Guiton and Mona Schieren. On the development of netzspannung.org In Present Continuous Past(s): Media Art, Strategies of Presentation, Mediation, and Dissemination, edited by Ursula FrohneDOI:

Seaman, Bill. The Emergence of New Electronic Forms in Australian Art Continuum "Electronic Arts in Australia" 8, no. 1 (1994): 352-363.

Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum 8, no. 1 (1994).

Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.