Archive Search

  • Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
  • Bill Seaman and O. E. Rössler. Neosentience | The Benevolence Engine. Bristol, United Kingdom: Intellect Press, 2011.
  • In our world, accidents are an everyday part of reality. The things we produce have a tendency to malfunction as much as they are capable of functioning properly. We try to predict and control things; yet, we are often surprised by their creativity
  • Lagoogleglyph (2009) is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. In its first manifestation Lagoogleglyph consists of a pixelated lagoglyph, referencing a rabbit head,
  • Lagoogleglyph 2 is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. It consists of a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a
  • Lagoogleglyph 3 consists of a pixelated lagoglyph, referencing a rabbit head, made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by Google
  • Lagoogleglyph 4 is a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by
  • Dominic Harris (London, 1976) is an artist who uses technology to construct highly personal interpretations of the natural phenomena which surround us. His reverence for nature, coupled with his fascination for code, offers a surreal and whimsical
  • Molecular Invasion -
    Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected
  • The Connection Machine was the first commercial computer designed expressly to work on simulating intelligence and life. A massively parallel supercomputer with 65,536 processors, it was the brainchild of Danny Hillis, conceived while he was a