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Searching instead of Finding: The Digital Archive as Find Engine.
2014
Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
Neosentience | The Benevolence Engine
2011
Bill Seaman and O. E. Rössler. Neosentience | The Benevolence Engine. Bristol, United Kingdom: Intellect Press, 2011.
DEAF 98: The Art of the Accident
1998
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1998
In our world, accidents are an everyday part of reality. The things we produce have a tendency to malfunction as much as they are capable of functioning properly. We try to predict and control things; yet, we are often surprised by their creativity
Lagoogleglyph I
2009
Lagoogleglyph (2009) is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. In its first manifestation Lagoogleglyph consists of a pixelated lagoglyph, referencing a rabbit head,
Lagoogleglyph II
2015
Lagoogleglyph 2 is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. It consists of a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a
Lagoogleglyph III
2018
Lagoogleglyph 3 consists of a pixelated lagoglyph, referencing a rabbit head, made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by Google
Lagoogleglyph IV
2018
Lagoogleglyph 4 is a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by
Dominic Harris
Dominic Harris (London, 1976) is an artist who uses technology to construct highly personal interpretations of the natural phenomena which surround us. His reverence for nature, coupled with his fascination for code, offers a surreal and whimsical
Molecular Invasion
2002
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2004
Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected
The Connection Machines CM-1 and CM-2
1986
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1987
The Connection Machine was the first commercial computer designed expressly to work on simulating intelligence and life. A massively parallel supercomputer with 65,536 processors, it was the brainchild of Danny Hillis, conceived while he was a
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