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  • Connection -
    A series of video illusions for drivers is projected onto the front window of the Cartier Foundation, Boulevard Raspail, one of the main streets in Paris. The real-life scale of these videos gives drivers the impression that new streets have opened
  • Your Self Portrait -
    ... back at them just as they start to...
  • La relation comme forme. L´interactivité en Art
    Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
  • Esthétique des arts médiatiques: Interfaces et Sensorialité
    Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
  • Jardin & design
    Caraës, Marie-Haude and Chloé Heyraud. Jardin & design. Saint-Étienne: Cité du design/Actes sud, 2010.
  • "7 envies capitales", for catalog "Art grandeur nature"
    Marguerin Mathieu. "7 envies capitales", for catalog "Art grandeur nature". Saint-Ouen, France: ,, 2004.
  • ALGORITHMIC TRANSFORMATIONSFROM ART BY HAND TO ART BY CODE
    Verostko, Roman. ALGORITHMIC TRANSFORMATIONS FROM ART BY HAND TO ART BY CODE. Pennsylvania: The Saint Vincent Gallery, 2015.
  • Ex(or)ciser
    This interactive installation addresses mass media and manipulation in postmodern culture. In this mediawork individualism and narcissism are revealed as inextricably linked to new electronic technologies and capitalist consumerism. The interface
  • Beauty and the Beast - The Conjugal Bed
    Multi-media found object and audio installation. The handsome young god Amor comes only at night under the cover of darkness to lie with his mortal wife, Psyche. To protect her from the wrath of his jealous mother Venus he has Psyche and her family
  • Trigger -
    "Part soft-core pornography, part political allegory and part Modernist play with media," Jordan Crandall's Trigger is a "sermon about masculinity, sex, surveillance, and violence." (Ken Johnson, The New York Times, 15 Nov 2002). "The work
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