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« Une voyante m’a dit », Keur Thiosane – Artfactories, 2012

Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.
« Erehwon et son double », in "Where are you ?" 2001

Wright Stephen. « Erehwon et son double », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.
Import/Export: Design Workflow and Contemporary Aesthetics 2006

Manovich, Lev. Import/Export: Design Workflow and Contemporary Aesthetics http://manovich.net/index.php/projects/import-export.
Visions of Contemporary Cuts- Special Issue 2015

Aceti, Lanfranco. Visions of Contemporary Cuts- Special Issue Journal of Visual Cultures (2015).
Culture of the Selfie: Self-Representation in Contemporary Visual Culture 2017

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.
Disentangling Aliveness, Naturalness and Greenness 2019

Hauser, Jens. Disentangling Aliveness, Naturalness and Greenness In The New State of The Living, edited by Dmitry BulatovPerm: The Museum of Contemporary Art PERMM, 2019.
Conversations in Art & Social Justice: Discourses on critical contemporary issues 2019

Weinberg/Newton Gallery. Conversations in Art & Social Justice: Discourses on critical contemporary issues https://soundcloud.com/weinbergnewtongallery.
So.So.So. Somebody, Somewhere, Some Time 2012

Benayoun, M.. So.So.So. Somebody, Somewhere, Some Time Theories and Documents of Contemporary Art, A Sourcebook of Artists’ Writings (2012).
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’ 2017

... in the work’...
Beautiful New Worlds. Virtual Realties in Contemporary Art. 2018

Cross, Katherine. Beautiful New Worlds. Virtual Realties in Contemporary Art. Flashart (January 2018).

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