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  • The Dark Pool -
    Internetproject, have a look at http://www.banffcentre.ca/WPG/nmsc/DarkPool/index.html
  • Penny, Simon. The Darwin Machine: Artificial Life and Interactive Art New Formations 29 (1996): 65.
  • Grau, Oliver and Christian Berndt. The Database of Virtual Art: For an Expanded Concept of Documentation edited by Paris Ministère de la Culture et de la Communicacion, 2-15. : 2003.
  • The Dead | Taylor Mead - documentationArtist: Alexander HahnComment:
  • Fischer, Hervé. The Decline of the Hollywood Empire. Vancouver: Talon Books, 2006.
  • A premier survey of California-based McPhee’s experimental films from 2002-2011 will screen at 21:00 , 15 April , 2011 at Freies Museum, Potsdamer Strasse 91 Berlin. Curated by Klaus W. Eisenlohr of Director’s Lounge, Berlin.
  • Domingues, Diana. The Desert of Passions and the Technological Soul In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
  • Thiel, Tamiko. The Design of the Connection Machine Design Issues 10, no. 1 (Spring 1994): 5-18.
  • Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.
  • The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He (1983),...