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  • Sand, Michael. Who´s Afraid of Cyberspace Tate: The Art Magazine 6 (Summer 1995): 36-39.
  • Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.
  • Baker, Steve. Animal Rights and Wrongs Tate Magazine , no. 25 (Autumn 2001): 42-47.
  • Francesco Aprile (Lecce, Italy) is freelance journalist, poet and visual-poet, essayist. In 2010 he became member of the literary movement called New Page-Narrativa in store, that has founded in 2009 by Francesco Saverio Dòdaro and for which he
  • Shaw. Tate. Immersion: A Conversation with Emily McVarish, Jody Zellen and Janet Zweig Journal of Artist's Books , no. 33 (2013): 12-17.
  • Bunting, Heath. Heath Bunting Interview www.tate.org.uk/context-comment/video/heath-bunting-interview [05.07.2017].
  • Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool
  • Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery